About
Steven Kimbrough's Production of Sweet Singer
About Steven Kimbrough's Opera and Concert
Performances
About Steven Kimbrough's Musical
Theater Performances
“At
Carnegie Hall in New York City Steven Kimbrough, a gifted artist of
prodigious memory, fine vocal talent, and exceptional acting ability,
captivated his audience with his vocal renditions of Charles Wesley
through spoken word and song.”
News
Day
“An
internationally respected singer, Kimbrough has netted considerable
praise with his performances of the piece since it opened at Carnegie
Hall in 1985. It’s easy to understand the accolades.
Kimbrough is a talented baritone whose obvious technical ability was
enhanced last night by equally obvious spiritual inspiration.”
The
Orange County Register
(Los
Angeles,
CA)
“And for
a while Charles Wesley lived once more. Steven Kimbrough brings
Charles Wesley to life.”
Birmingham Post-Herald
(Birmingham, AL)
“Kimbrough touched me with the words of the poems he told each of the
children. Wesley's poetry is simply beautiful. Kimbrough's
voice is strong and filled with authority, and he moved about the
small stage easily. The script placed key emphasis on church,
throne, England, family, Native Americans, America, and most of all,
faith. And yet, Kimbrough also allowed his character a sense of
good humor.”
Monitor (McAllen, Texas)
“A
clarity, precision, and control to be envied and emulated. His
enunciation is so sharp that one needs no song sheet to ponder
Wesley's lyrics.”
Charisma Magazine
“Lovely
singing by noted baritone Steven Kimbrough.”
Billboard
“'O for a
thousand tongues to sing' is strikingly modern and lovely. . . .
Kimbrough's voice is pure liquid gold.”
The
Birmingham News
(Birmingham,
AL)
“Kimbrough has a richly endowed, variable, and sensitive baritone
voice. Furthermore, he possesses the intellectual and spiritual
depth, necessary to portray Wesley authentically. With a wide
range of possibilities Kimbrough slipped into the costume and role of
Charles Wesley and portrayed his life and the origin of his
songs/hymns in dramatic action and dialogue. Through letters,
other writings, and poetry Kimbrough presented Wesley as a passionate
fighter against the social injustice of his time and as a priest who
saw in the love of God the salvation of the world.”
General Anzeiger (Bonn,
Germany)
“His
articulation of Wesley's words is remarkable because he seems to know
what the words are trying to say . . . Churchmanship and
musicianship come across in virtually equal measure.”
The
United Methodist Reporter (Dallas, TX)